Two rusticated Cutties. This is the first shape Tom ever taught me to make.
Love Geiger, a Swedish pipemaker who himself made his way from talented hobbyist to full-time professional recently said this about the journey.
" I believe that if you are serious about making pipes and really learning you will seek the live advice of a professional, by one on one interaction or spending the cash to visit them..
In this time we don't have the luxury of real apprenticeship, but just visiting a maker you look up to for a day or a few hours will grant so much more and give you a feeling what it takes and is like making pipes for a living.
So many have romantic dreams of "making it" and living off selling their smokable art but more have failed than succeeded in this, because it isn’t easy even with natural talent ect.
It requires discipline, luck, good connections and living on a tight budget for years for most of us. And even then there are no guarantees.
The sooner one gets a feeling of how it really is like " living with pipes" behind the glamour and $1000+ pipes they can set their goal on what level they would like to achieve and what they want to get out of it..Frustration and poverty is no fun... having a good hobby can be much more rewarding for most..
I know of very few if any professionals who have not in some way at some point visited other more experienced makers to learn.. I've done so a few times and intend to do so again as for me it is so inspiring and a kick in the butt to get productive.
Personally it took me 3 years of fooling around in the shop and wasting money on the "wrong" tools and methods before I finally did and even if it might cost you a plane ticket in the long run money could be saved.. "
In this time we don't have the luxury of real apprenticeship, but just visiting a maker you look up to for a day or a few hours will grant so much more and give you a feeling what it takes and is like making pipes for a living.
So many have romantic dreams of "making it" and living off selling their smokable art but more have failed than succeeded in this, because it isn’t easy even with natural talent ect.
It requires discipline, luck, good connections and living on a tight budget for years for most of us. And even then there are no guarantees.
The sooner one gets a feeling of how it really is like " living with pipes" behind the glamour and $1000+ pipes they can set their goal on what level they would like to achieve and what they want to get out of it..Frustration and poverty is no fun... having a good hobby can be much more rewarding for most..
I know of very few if any professionals who have not in some way at some point visited other more experienced makers to learn.. I've done so a few times and intend to do so again as for me it is so inspiring and a kick in the butt to get productive.
Personally it took me 3 years of fooling around in the shop and wasting money on the "wrong" tools and methods before I finally did and even if it might cost you a plane ticket in the long run money could be saved.. "
I think there's great wisdom in what Love has to say here. Being a real live working artist is not easy. Those who imagine otherwise are simply delusional. It is a great blessing to make a living doing something that you love, but it requires sacrifice, often financial sacrifice, and far more dedication than most ever imagine. It also requires great skill, a very keen eye, and an understanding--innate or developed--of fundamental design principles. If you want to make pipes successfully you're going to have to develop these skills. This is not something that happens overnight, and it is not something that can happen simply by poking around on internet bulletin boards.
New pipemakers are "made" by older pipemakers, not by self-important collectors, not by eBay, and not by themselves. In the Presbyterian church, an individual with a call to ministry is said to be "under the care" of his/her presbytery. This is a process that ensures an individual is provided with the necessary care, encouragement, wisdom, and example to succeed. I would advocate a similar model for aspiring pipemakers, and encourage other established pipemakers to engage in the process as tutors.
Pipemaking is a dying art. In the past decade we have lost Sixten Ivarsson, Bo Nordh, and Jorn Micke. Poul Rasmussen has been gone for many years now. More recently Peter Hedegaard has died. Much of what is known and passed on about pipemaking lies in the hands and heads of masters who have been taught by masters. The only way for that knowledge to continue is to train new masters, and to that I am resolutely committed.
